» » J.S. Bach - Max van Egmond • Baroque Orchestra • Frans Brüggen - Kantaten "Kreuzstab" (BWV 56) & "Ich Habe Genug" (BWV 82)

J.S. Bach - Max van Egmond • Baroque Orchestra • Frans Brüggen - Kantaten "Kreuzstab" (BWV 56) & "Ich Habe Genug" (BWV 82) Album

  • Performer: J.S. Bach - Max van Egmond • Baroque Orchestra • Frans Brüggen
  • Title: Kantaten "Kreuzstab" (BWV 56) & "Ich Habe Genug" (BWV 82)
  • Size MP3 ver: 2582 mb
  • Size FLAC ver: 2847 mb
  • Country: Europe
  • Date of release: 1998
  • Style: Baroque
  • # Catalog: SBK 60373
  • Label: Sony Classical
  • Rating: 4.2 of 5
  • Genre: Classical
J.S. Bach - Max van Egmond • Baroque Orchestra • Frans Brüggen - Kantaten "Kreuzstab" (BWV 56) & "Ich Habe Genug" (BWV 82) Album

Tracklist

1“Ich Will Den Kreuzstab Gerne Tragen”, Cantata BWV 56 (Dominica 19 Post Trinitas)
2Recitativo: "Ich Stehe Fertig Und Bereit“
3Recitativo: "Ich Habe Genug! Mein Trost Ist Nur Allein“
4Choral: "Komm, O Tod, Du Schlafes Bruder“
5Recitativo: "Mein Wandel Auf Der Welt Ist Einer Schiffahrt Gleich“
6Aria: "Schlummert Ein, Ihr Matten Augen“
7Aria: "Ich Freue Mich Auf Meinen Tod“
8Recitativo: "Mein Gott! Wann Kommt Das Schöne Nun!“
9“Ich Habe Genug”, Cantata BWV 82 (Festo Purificationis Mariæ)
10Aria: "Ich Habe Genug“
11Aria: "Endlich, Endlich Wird Mein Joch“
12Aria: "Ich Will Den Kreuzstab Gerne Tragen“

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
PAL-1012Johann Sebastian Bach Bach Max van Egmond • Baroque Orchestra • Frans Brüggen Johann Sebastian Bach Bach Max van Egmond • Baroque Orchestra • Frans Brüggen - Kantaten "Kreutzstab" (BWV 56) & "Ich Habe Genug" (BWV 82) ‎(LP, Album)Pro ArtePAL-1012Europe1977
6575 093 [61]Johann Sebastian Bach Bach Max van Egmond • Baroque Orchestra • Frans Brüggen Johann Sebastian Bach Bach Max van Egmond • Baroque Orchestra • Frans Brüggen - Kantaten "Kreutzstab" (BWV 56) & "Ich Habe Genug" (BWV 82) ‎(LP, Album)Philips6575 093 [61]Netherlands1977
RL 30387Johann Sebastian Bach, Max van Egmond • Baroque Orchestra • Frans Brüggen Johann Sebastian Bach, Max van Egmond • Baroque Orchestra • Frans Brüggen - Kantaten "Kreutzstab" (BWV 56) & "Ich Habe Genug" (BWV 82) ‎(LP, Album, gat)RCARL 30387GermanyUnknown

Credits

  • Art DirectionAllen Weinberg
  • Baritone VocalsMax van Egmond
  • Bass VocalsHarry van der Kamp (tracks: 1 to 5), Lodewijk Meeuwsen (tracks: 1 to 5)
  • BassoonBrian Pollard (tracks: 1 to 5)
  • Cello [Violoncello]Lidewij Scheifes
  • Chorus MasterJan Valkestijn (tracks: 1 to 5)
  • Composed ByJohann Sebastian Bach
  • ConductorFrans Brüggen
  • Design, CoverNicky Lindeman
  • Engineer [Recording]Dieter Thomsen
  • LeaderBoy’s Trebles And Contraltos Of The Koorschool St. Bavo, Haarlem (tracks: 1 to 5)
  • Liner Notes [English]David Montgomery
  • Liner Notes [French Translation]Josée Bégaud
  • Liner Notes [German Translation - Ⓒ]Tobias Möller
  • Liner Notes [Seon]Wolf Erichson
  • Oboe [1st]Paul Dombrecht (tracks: 1 to 5)
  • Oboe [2nd]Bruce Haynes
  • Oboe [Oboe Da Caccia]Pieter Dhont (tracks: 1 to 5)
  • OrchestraBaroque Orchestra
  • OrganBob van Asperen
  • PaintingPaul Troger
  • Producer, Recording SupervisorWolf Erichson
  • Remastered By [Syrinx]Andreas Stange
  • Remastered By [Tritonus]Stephan Schellmann
  • Tenor VocalsHarry Geraerds (tracks: 1 to 5), Michiel Ten Houte De Lange (tracks: 1 to 5)
  • ViolaMarten Boeken, Ruth Hesseling
  • Violin [1st]Keiko Watanabe, Lucy van Dael, Mihoko Kimura
  • Violin [2nd]Janneke van der Meer, Linda Ashworth
  • VioloneNicholas Pap

Notes

℗ 1977 Sony Classical, a division of Sony Entertainment Holdings, GmbH.
© 1998 Sony Music Entertainment Inc. (www.sonyclassical.com). Total time 39:23
Consists of previously released material. Made in Austria (on CD label).
This recording has been remastered using 20-bit technology to maximize sound quality (SBM™).
Cover art: Paul Troger (1698-1762), "The Descent from the Cross";
Österreichische Galerie im Belvedere, Vienna - Courtesy: AKG Berlin.

Recorded in the "Lutherse Kerk", Haarlem, Holland, June 21-23, 1977.
The 16-page glossy booklet contains a track and credits-list as well as notes in English, German and French.
The booklet and CD are sheltered by a standard jewel case with black tray.

Barcodes

  • Barcode: 5 099706 037323
  • Label Code: LC 6868
  • Rights Society: BIEM / P.D.
  • Rights Society: SACEM / SDRM / SACD / SGDL
  • Matrix / Runout (On back cover, booklet and CD label): 01-060373-10
  • Matrix / Runout (On CD mould): Sony Music S0106037310-0101 12 A5
  • Mastering SID Code: IFPI L552
  • Mould SID Code: IFPI 942C
  • Other (SPARS Code): ADD
  • Other (Distribution Code - boxed in): CB 621
  • Other (Boxed in): CDA
  • Other (Boxed in): CX

Companies

  • Phonographic Copyright (p) – Sony Classical
  • Copyright (c) – Sony Music Entertainment Inc.
  • Distributed By – Sony Music
  • Recorded At – Lutherse Kerk, Haarlem
  • Remastered At – Syrinx Productions
  • Remastered At – Tritonus Musikproduktion

Album

Покупка Johann Sebastian Bach, Max van Egmond , Baroque Orchestra , Frans Brüggen - Kantaten Kreutzstab BWV 56 & Ich Habe Genug BWV 82 - RCA - LP, Album, gat - RL 30387, включает Ich Will Den Kreuzstab Gerne Tragen , Cantata BWV 56 Dominica 19 Post Trinitas, Aria: Ich Will Den Kreuzstab Gerne Tragen , Recitativo: Mein Wandel Auf Der Welt Ist Einer Schiffahrt Gleich , Aria: Endlich, Endlich Wird Mein Joch , Recitativo: Ich Stehe Fertig Und Bereit , Choral: Komm, O Tod, Du Schlafes Bruder , Ich Habe Genug , Cantata BWV 82 Festo P. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 1977 Vinyl от Kantaten Kreutzstab BWV 56 & Ich Habe Genug BWV 82 на Van Egmond. Baroque Masterpieces. CD15 - J. Bach - Sacred Cantatas. Bach - Sacred Cantatas 2008. To favorites 0 Download album. Listen album. Classical Music Vocal. Max Van Egmond , Baroque Orchestra. Songs in album Baroque Masterpieces. Max Van Egmond Orchestra - Cantata BWV 56 - Aria: 'Ich Will Den Kreuzstab Gerne Tragen'. Max Van Egmond Orchestra - Cantata BWV 56 - Recitativo: 'Mein Wandel Auf Der Welt Ist Einer Schiffahrt Gleich'. Ich will den Kreuzstab gerne tragen lit. I will gladly carry the cross-staff', BWV 56, is a church cantata which Johann Sebastian Bach composed for the 19th Sunday after Trinity. It was first performed in Leipzig on 27 October 1726, and is part of Bach's third cantata cycle. The composition is indicated as solo cantata German: Solokantate while it requires only a single vocal soloist, in this case a bass. Bach rarely used the word cantata to refer to a composition: the autograph score of BWV 56. Kantate, BWV 56 Ich will den Kreuzstab gerne tragen: II. Recitative Mein Wandel auf der Welt from 1977-06-21 until 1977-06-23. composer: Johann Sebastian Bach German Baroque period composer & musician in 1726. librettist: Special Purpose Artist. part of: Kantate, BWV 56 Ich will den Kreuzstab gerne tragen. Ich Will Den Kreuzstab Gerne Tragen , Cantata BWV 56: Aria: Endlich, Endlich Wird Mein Joch. engineer: Dieter Thomsen engineer. producer: Wolf Erichson engineerproducer. bass vocals: Max van Egmond bass-baritone. conductor . Frans Brüggen. Bach: Cantatas 56 & 82. Ich will Kreuzstab gerne tragen, Aria for bass. Johann Sebastian Bach. Latest version of the music album Bach, Janet Baker, Bath Festival Orchestra, The Ambrosian Singers, Yehudi Menuhin - Bach Cantatas Download Free. MP3, FLAC, WMA audio format. ZIP and RAR archives. Cantata , Ich Habe Genug, BWV 82. Aria: Ich Habe Genug. Ich Habe Genug. Bach , The Ambrosian Singers, Bath Festival Orchestra, Yehudi Menuhin, Janet Baker. Bach , The Ambrosian Singers, Bath Festival Orchestra, Yehudi Menuhin, Janet Baker - Cantata Nos. 82 & 169 LP, Mono. His Master's Voice. Kreuzstab & Ich Habe Genug. Max van Egmond. Bach: Solokantaten Kreuzstabkantate BWV 56 Der Friede sei mit dir BWV 158 Ich habe genug BWV 82. Karl-Friedrich Beringer. Windsbacher Knabenchor. Consortium Musicum. Siegmund Nimsgern. Baier Records. Bach: Cantata Ich habe genug BWV 82 - 2. Recitativo: Ich habe genug Mein Trost ist nur allein. Bach: Cantata Ich habe genug BWV 82 - 1. Aria: Ich habe genug, ich habe den Heiland. Another asset was the conducting of two great Bach conductors: Karl Ristenpart in BWV4 and the short lived Fritz Lehmann in BWV 56 and 82. I don't think that DFD ever sang better in these works. However, I prefer Hermann Prey in them, both his voice itself and his interpretations, This is of course highly subjective and there is apparently an anti-Prey faction, so chacun a son gout including other baritones


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