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Yes - Going For The One Album

  • Performer: Yes
  • Title: Going For The One
  • Size MP3 ver: 1523 mb
  • Size FLAC ver: 1849 mb
  • Country: UK
  • Date of release: 1977
  • Style: Prog Rock
  • # Catalog: K 50379, K50379
  • Label: Atlantic
  • Rating: 4.2 of 5
  • Genre: Rock
Yes - Going For The One Album

Tracklist

1Going For The One
Written-By – Anderson
5:30
2Awaken
Written-By – Anderson, Howe
15:38
3Parallels
Written-By – Squire
5:52
4Wonderous Stories
Written-By – Anderson
3:45
5Turn Of The Century
Written-By – White, Anderson, Howe
7:58

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
K 50379, K50379Yes Going For The One ‎(LP, Album, Tri)Atlantic, AtlanticK 50379, K50379UK1977
SD-19106Yes Going For The One ‎(LP, Album, RE, Sin)Atlantic, Discos De Centroamérica, S.A.SD-19106Guatemala1982
K 450 379Yes Going For The One ‎(Cass, Album)AtlanticK 450 379GermanyUnknown
TP 19106Yes Going For The One ‎(8-Trk, Album)AtlanticTP 19106US1977
P-10304AYes = イエス Yes = イエス - Going For The One = 究極 ‎(LP, Album, Promo)AtlanticP-10304AJapan1977
CategoryArtistTitle (Format)LabelCategoryCountryYear
SD-19106Yes Going For The One ‎(LP, Album, RE, Sin)Atlantic, Discos De Centroamérica, S.A.SD-19106Guatemala1982
K 450 379Yes Going For The One ‎(Cass, Album)AtlanticK 450 379GermanyUnknown
TP 19106Yes Going For The One ‎(8-Trk, Album)AtlanticTP 19106US1977
P-10304AYes = イエス Yes = イエス - Going For The One = 究極 ‎(LP, Album, Promo)AtlanticP-10304AJapan1977
CS 19106Yes Going For The One ‎(Cass, Album)AtlanticCS 19106USUnknown
CategoryArtistTitle (Format)LabelCategoryCountryYear
K 11047, MS 1769XYes Going For The One ‎(7", Single)Atlantic, AtlanticK 11047, MS 1769XUK1977
K 11047Yes Going For The One ‎(7", Single)AtlanticK 11047UK1977
BY-1 BY-2Yes Going For The One ‎(12", Promo, Spe)AtlanticBY-1 BY-2UK1977
K 11047Yes Going For The One ‎(7", Single, Lar)AtlanticK 11047UK1977
45-1659Yes Going For The One ‎(7", Single, Promo)Atlantic45-1659Spain1978

Credits

  • Arranged By, ProducerYes
  • Artwork [Yes Logo]Roger Dean
  • Bass, VocalsChris Squire
  • Design [Sleeve Design], Photography ByHipgnosis
  • DrumsAlan White (tracks: A1, A3 to B2)
  • Engineer [Assistant]David Richards
  • Engineer [Recording]John Timperley
  • Executive-ProducerBrian Lane
  • GraphicsGeorge Hardie
  • GuitarSteve Howe
  • Keyboards, PianoRick Wakeman (tracks: A1, A2)
  • Lacquer Cut BySean Davies
  • Organ [Church]Rick Wakeman (tracks: A3, B2)
  • Pedal Steel GuitarSteve Howe (tracks: A1, B2)
  • PercussionAlan White (tracks: A3, B1)
  • Percussion [Tuned]Alan White (tracks: A2, B2)
  • Photography By [Inner Spread]Alex Grob, Jaques Straessle
  • VocalsJon Anderson, Steve Howe (tracks: A1, A3 to B2)
  • Written-ByWhite (tracks: A2), Squire (tracks: A3), Anderson (tracks: A1, A2, B1, B2), Howe (tracks: A2, B2)
  • Arranged By, ProducerYes
  • Design [Sleeve], Photography ByHipgnosis
  • Design [Yes Logo]Roger Dean
  • Engineer [Recording, Assisted]David Richards
  • Engineer [Recording]John Timperley
  • Executive-ProducerBrian Lane
  • GraphicsGeorge Hardie
  • Lacquer Cut By [Disc Cutting]Paul Van Der Sonckheyd, Sean Davis
  • Photography By [Inner Spread]Alex Grob, Jaques Straessle
  • Acoustic Guitar, Electric GuitarSteve Howe (tracks: A2, B2)
  • Arranged By [Choral Arrangement]Rick Wakeman (tracks: B2)
  • Arranged By, ProducerYes
  • Bass GuitarChris Squire (tracks: A1)
  • ChorusRichard Williams Singers (tracks: B2)
  • Design [Sleeve], Photography ByHipgnosis
  • Design [Yes Logo]Roger Dean
  • DrumsAlan White (tracks: A1, A3, B1, B2)
  • Electric GuitarSteve Howe (tracks: A3, B1)
  • EngineerJohn Timperley
  • Engineer [Assisted]David Richards
  • Executive-ProducerBrian Lane
  • GraphicsGeorge Hardie
  • Guitar [Vachalia]Steve Howe (tracks: B1)
  • HarpJon Anderson (tracks: B2)
  • KeyboardsRick Wakeman (tracks: A1, A2, B2)
  • Lacquer Cut By [Disc Cutting]Paul Van Der Sonckheyd, Sean Davis
  • Organ [Church]Rick Wakeman (tracks: A3, B1)
  • Pedal Steel GuitarSteve Howe (tracks: B2)
  • PercussionAlan White (tracks: A3, B1)
  • Percussion [Tuned]Alan White (tracks: A2, B2)
  • Photography By [Inner Spread]Alex Grob, Jaques Straessle
  • PianoRick Wakeman (tracks: A1, A2)
  • Steel GuitarSteve Howe (tracks: A1)
  • Synthesizer [Polymoog]Rick Wakeman (tracks: B1)
  • VocalsChris Squire, Jon Anderson, Steve Howe (tracks: A1, A3, B1, B2)
  • Lacquer Cut BySean

Notes

Recorded at Mountain Studios, Montreux, Switzerland.
Track B2 recorded at Eglise des Planches, Montreux, Switzerland.
Church Organ recorded at St. Martin's Church, Vevey, Switzerland.
Packaged in a tri-fold sleeve.
Second cat. No. printed on the labels.

Made in France. Distributed by WEA filipacchi music.[CD-label notes]
[notes runout]

A WARNER COMMUNICATIONS COMPANY ALL RIGHTS RESERVED, UNAUTORIZED DUPLICATION IS A VIOLATION OF APPLICABLE LAWS.
MADE IN U.S.A. BY WEA MANUFACTURING INC.Released in a triple gatefold cover with a printed inner sleeve (lyrics).

℗1977 Atlantic
℗ & © 1977 Topographic Music/Warner Bros Music.

All tracks published by Topographic music.
All lyrics © 1977 by Topographic Music.

Recorded at Mountain Studios, Montreux, Switzerland.

(B2) Ars Laeta of Lasanne, Switzerland
Recorded at Église des Planches, Montreux, Switzerland.
Keyboard and Church Organ - Recorded at St. Martins Church, Vevey, Switzerland.

℗ 1977 Atlantic Recording Corporation. © 1977 Atlantic Recording Corporation.
Printed in England

Barcodes

  • Matrix / Runout (A & B-side label.): (SD 19106)
  • Matrix / Runout (A-side etched): K - 50379 A-30
  • Matrix / Runout (B-side etched): K - 50379 B-30
  • Matrix / Runout (A & B-side etched, Variant 1): FOON
  • Matrix / Runout (A & B-side etched, Variant 2): FOON S'eàn
  • Rights Society: SACEM SACD SDRM SGDL
  • Matrix / Runout (Label side A): ST-A-773877
  • Matrix / Runout (Label side B): ST-A-773878
  • Matrix / Runout (Runout side A, stamped): 50379 A YPARTX 84142 2 M6 317978 2
  • Matrix / Runout (Runout side B, stamped): 50379 B YPARTX 84143 2 M6 317979 2
  • Matrix / Runout (Runout side A/B, etched): FOON-Seán
  • Price Code: Ⓐ
  • Other (US Cat. No.): (SD 19 106)
  • Matrix / Runout (Runout A, etched): Going-7 FOON-SEAN
  • Matrix / Runout (Runout B, etched): PARALLELS-7 FOON-SEAN
  • Barcode: 0 7567-81510-2 6
  • Matrix / Runout: 3 19106-2 SRC+04 M1-S3

Companies

  • Lacquer Cut At – Foon
  • Licensed To – Columbia House
  • Manufactured By – Columbia House
  • Phonographic Copyright (p) – Atlantic Recording Corporation
  • Copyright (c) – Atlantic Recording Corporation
  • Copyright (c) – Star/Rights Co.
  • Made By – WEA Manufacturing Inc.
  • Recorded At – Mountain Studios
  • Recorded At – Église Des Planches, Montreux
  • Recorded At – Église St. Martin, Vevey
  • Glass Mastered At – Specialty Records Corporation
  • Phonographic Copyright (p) – Atlantic Recording Corporation
  • Phonographic Copyright (p) – Topographic Music Ltd.
  • Phonographic Copyright (p) – Warner Bros. Music
  • Copyright (c) – Atlantic Recording Corporation
  • Copyright (c) – Topographic Music Ltd.
  • Copyright (c) – Warner Bros. Music
  • Recorded At – Mountain Studios
  • Recorded At – Église Des Planches, Montreux
  • Recorded At – Église St. Martin, Vevey
  • Lacquer Cut At – Foon
  • Published By – Topographic Music Ltd.
  • Distributed By – WEA Records Ltd.
  • Distributed By – WEA Filipacchi Music
  • Mastered At – Foon
  • Pressed By – Pathé Marconi EMI, Chatou – 317978
  • Pressed By – Pathé Marconi EMI, Chatou – 317979
  • Printed By – Glory, Asnières
  • Phonographic Copyright (p) – Atlantic Recording Corporation
  • Copyright (c) – Atlantic Recording Corporation
  • Copyright (c) – Star/Rights Co.
  • Published By – Topographic Music Ltd.
  • Recorded At – Mountain Studios

Album

Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Going for the One is the eighth studio album by British progressive rock band Yes. It topped the U. Going for the One Expanded. Just announced GFTO's third year at Rochester's Fringe Festival and in Eastman's beautiful Kilbourn Hall. Going for the One is the eighth studio album by English progressive rock band Yes, released on 15 July 1977 by Atlantic Records. Similar to Fragile, Going For The One features stunning vocal harmonies balanced by thrilling guitar playing. Rock 1977. Yes - Going For The One. Turn of the Century. 6 July 2019 . After taking a break in activity in 1975 for each member to release a solo album and their 1976 North American tour, the band relocated to Montreux, Switzerland to record their next studio album. Absolutely essential. Rock - Going For The One 1977. It includes the hit singles Wonderous Stories and Going For The One. Going for the One is perhaps the most overlooked item in the Yes catalog. Writer: Jon Anderson. Going For The One is YES 1977 masterwork. Album 1977 5 Songs. Going for the One - Yes. Going for the One Rehearsal 2003 Remaster. Формируйте собственную коллекцию записей for the One celebrates the music of Yes, focusing on the 1969-1980 period. During rehearsals keyboardist Patrick Moraz left the group, which marked the return of Rick Wakeman who had left to pursue a solo career after differences surrounding Tales from. Jon Anderson. See YES on Tour in 2013 performing 3 full-length albums: The Yes Album, Close To The Edge & Going For The One. Yes - Tales from Topographic Oceans Full Album - Продолжительность: 1:23:15 leokb7 3 286 128. In many ways, this disc could be seen as the follow-up to Fragile. It saw the return of Rick Wakeman and found the band incorporating shorter form songs. Going for the One. Yet Going For The One is a quite exquisite album, cut from a similar cloth to many of its predecessors, but fashioned in a fresh way, reflecting changing times both in YES musical outlook and internal dynamics, and in the wider musical world. Going For The One was first issued as Atlantic 19106 7777 Album recorded at Mountain Studios. Eastern Numbers Early Version of Awaken 2003 Remaster. OTD, 15 July 1977, YES released their eighth studio album Going For The One What is your favourite track from Going For The One Going for the One, A Celebration of Yes Music. Yes - Turn Of The Century. Show all albums by Yes. Songs in album Yes - Going For The One 1977. Язык: Русский. Страна: США. Going for the One's John Covach performs on this new recording of a contemporary duet for electric guitar and flute by composer Lance Hulme. charts and reached 8 on the Billboard 200. Формируйте собственную коллекцию записей for the One is the eighth studio album by British progressive rock band Yes. Формируйте собственную коллекцию записей in album Yes - Going For The One 1977. Writer: Jon Anderson - Steve Howe. Yes - Going For The One Rehearsal Bonus Track. It was released in 1977 after an extended break for solo activity, and is especially notable for marking the return of keyboardist Rick Wakeman, who had departed in 1974 in the aftermath of the Tales from Topographic Oceans tour. It marked Rick Wakeman's return to the band after a three-year absence, and also a return to shorter song forms after the experimentalism of Close to the Edge, Tales from Topographic Oceans, and Relayer. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией

Video

Comments (4)

Hanad
This is excepts from a letter I wrote someone to go along with a copy of this album:The title track is just one of my favorite songs ever. The lyrics are pretty abstract but my interpretation is that it is about athletic pursuits and being the best. We started saying ‘Going For the One’ at work sometimes a while ago to mean when you are really going to just steam roll everyone to be the best and be successful at something. There is a line in the song where he says ‘The truth of sport plays rings around you’ and I always thought of that as referring to the Olympic rings. I have no idea what the song was about to the singer when he wrote them and I don’t want to know. The song uses a slide guitar, like they use in country music, but it is used in a really weird (and sometimes even obnoxious) way. For years I didn’t understand how the guitar was making these sounds, I only found out maybe a year ago. The guitarist Steve Howe is one of my favorite guitarists ever because he is really inventive and can play lots of different styles, and he does things like this. He doesn’t care about rules, he just makes different sounds with the guitar.There is something about the rhythm of the verse when the vocals start that gets me fired up. And the chorus which has no words except to repeat ‘Going for the one’. It repeats it like it is really important, and you need to listen, and understand it, or try to. There is a bridge section that is more abstract and seems like it is just tying everything together with the whole universe and everyone. When I used to do drugs a lot, and go out a lot, I used to get dressed and put this song on right before I left. I would get fired up so I could try to go out with a lot of confidence and see what trouble I could get into. I feel kind of disgusting for that, for tarnishing one of my favorite songs with gross memories, but I don’t think that anymore when I listen to it.My favorite part of the song is at the end. They play an extended version of the bridge, and it seems to almost go on too long, then the song breaks and there are beautiful harmonizing vocals and the group pauses a few times but the slide guitar is just soaring into outer space, hitting higher and higher notes. I am dead serious that this portion of the song has brought tears to my eyes before because it is so beautiful. It ends on a wonderful note, and kind of brings you back to earth without being too rough about it.The next song ‘Turn of the Century’ would you believe has also made me cry. Maybe I am just emotionally broken. It is a totally different song and the guitar is all acoustic. It is just a beautiful love story and it is a great follow up to the intensity of the song before it.The last track on side A is called ‘Parallels’ and it such a typical Yes song. It ‘rocks’ harder (I feel corny for using that word), and its not heavy metal or something but it is heavier and more powerful and you hear what Yes can do. It is not as experimental as the other two songs before it so it is a great way to close the album.Side B only has two songs. The first one ‘Wonderous Stories’ I have heard on the radio before. It is just a beautiful song that relies on their singer Jon Anderson and his wonderful voice. There is a line where he sings ‘I beg to hear your wonderous stories’. We used to joke about this guy who worked here (he is now retired). His name was Donald and he lived and worked in New Jersey. He was originally from Jamaica and he was really an idiot. He worked here like 30 years so he had tons of knowledge but he told lies and acted tough all the time. We used to joke that if you saw Donald you were going to hear some ‘Wondrous Stories’. Also my boss has said that to me when I come back from a long or crazy road trip and he wants to hear how it goes, he will step into my office and say “let's hear your wonderous stories”.The last track on the album is ‘Awaken’ and it is 15 minutes long, which is why there are only 5 songs on this entire album. I’ll be honest - I’ve never heard it before, only bits and pieces. So I couldn’t possibly expect you to, but if you just put the side on - and this is the beauty of records - it is easier to just let the side run out then to get up and mess with the player. So maybe you will listen. Yes is famous for long songs like this. They have two other albums which only have three songs each!
Ynye
Never have I experienced such a transcendent spiritual high from a rock song over the decades as I have with Awaken. So, as far as I'm concerned, that track is pretty much the apex of rock music as a genre, rock music as an art form, rock music as a spiritual experience, and rock music in a truly progressive sense. Together, the members of Yes aimed for "The One" (in more than one sense) and most certainly attained "It".I consider myself very fortunate to have once sat within close proximity of Steve Howe while singing and playing Awaken in its entirely by himself. It was nothing less than a remarkable feat considering how complex and long that piece of music is.
caif
I bought this album when it first came out. It is a very dark red when you hold it up to the light. Never heard of this before. Still have a the record in question in pristine condition. It was never my favourite Yes album but I often wondered about the deep dark red colour.
Dalarin
The red translucent colour of the vinyl is due to the mixture the manufacturer used to press the record. There are many LPs from this period that have the same colour when held to the light.

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